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The Jerusalem Show, Outside the Gates of Heaven

The Jerusalem Show (‘Ala Abwab Al Janna) borrows its English title from the vivacious and atypical formats of the Saturday Night Live show and the Muppet Show, whereas its Arabic title ‘Ala Abwab Al Janna (Outside the Gates of Heaven) references the sacramental veneration that is bestowed on Jerusalem. A similar ludicrous dichotomy is ostensible to Jerusalem’s inhabitants (including us at Al-Ma’mal Foundation). Read more

The Jerusalem Show, Edition 0, Partners  
The Jerusalem Show, Edition 0, Events

(0.1) Akram Halabi / (0.1) Basma Al-Sharif / (0.1) Elisabeth von Samsonow / (0.1) Emily Jacir / (0.1) Hanna Farah- Kufer Birim / (0.1) Henrik Placht / (0.1) Inass Yassin /
(0.1) Jawad Al-Malhi / (0.1) Judy Price / (0.1) Leopold Kessler / (0.1) Luchezar Boyadjiev / (0.1) Manar Zuabi / (0.1) Mohammad Al-Hawajri / (0.1) Nathalie Retivoff /
(0.1) Nida Sinnokrot / (0.1) Oraib Toukan / (0.1) Peter Riedlinger / (0.1) Phil Collins / (0.1) Roza El-Hassan / (0.1) Samir Srouji / (0.1) Sliman Mansour /
(0.1) Sophie Elbaz / (0.1) Tarek Al-Ghoussein / (0.1) Wafaa Yasin / (0.1)Jumana Manna / Alban Biaussat / Anne-Marie Filaire / Ayreen Anastas /
Desiree Palmen / Emily Jacir / Faten Nastas / Jean-Luc Vilmouth / Khaled Hourani / Larissa Sansour / Marrio Rizzi /
Mohanad Yacouby / Nabil Annani / Naoko TakaHashi / Nikolaj B.S. Larsen / Rula Halawani / Silman Mansour / Surekha /
Tayseer Barakat / Vera Tamari / Walid Maw'ed / Zeyad Dajani /




Khaled Hourani

Allah Mahaba

In Khaled Hourani's “Allah Mahaba” (God is Love) (2007) green fluorescent signs were distributed throughout the Old City in outdoor public areas. Hanging above shop doors, on lamp posts, on electric wiring between one wall and another, these signs were created as a commentary on the Islamic tradition of displaying religious "reminders" throughout the city and especially near holy sights, meant to remind passersby of the importance of always remembering God in everything, meant to encourage religious belief and the good practice of devout faith. Hourani's sign however was not met with similar encouragement among the Jerusalem public, who misunderstood the sign as being a harsh criticism against their personal religious practice, as condemnation of Muslim faith. Misunderstanding Hourani's signs as something converging on the sacrilegious, the signs were anonymously cut exactly in half (within two days of their exhibit) to expose one word alone, that of "Allah" (God),  and replaced in their original location as a permanent fixture.




Allah Mahaba    Allah Mahaba    Allah Mahaba    Allah Mahaba   

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Our sincere gratitude to The Ford Foundation, The Khalid Shoman Foundation, the Jerusalem Unit, and the Belgian Consulate in Jerusalem for their continuous support and partnership.
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