 |
|
New Gate, Old City
Jerusalem 91145
P.O.Box 14644
T: (+972) 2 6283457
F: (+972) 2 6272312 |
|
 |
|
| |
|
|
Museum of Contemporary Art – Palestine (CAMP):
The Museum of Contemporary Art (CAMP) was established to relate to one of the core Palestinian experiences – displacement; as well as to account for the growing collection of visual art that has been safeguarded by Al-Ma’mal over the past ten years. There was/is a need to create a lever for new opportunities, innovative thought, and dynamic multi-cultural activity within, and surrounding Palestinian art, culture, and environment. Our goal is to utilize CAMP to relate to Palestine and its rich and multifaceted textures (traditional/ historical backdrop embedded within contemporary ambitions), while encouraging and strengthening international communications as well. We believe that a contemporary art museum must be a flexible, living organism; an expanding space that will facilitate the realization of cultural projects, empower creative individuals of all nationalities, and avoid stagnation that might otherwise act negatively in like developments. For this reason, we envision CAMP’s essence not solely as a physical place (for that would undermine our working philosophy and limit creative potential), but as an authentic, accessible, and fluid entity, a nomadic site where dialogue, growth, and resourceful experimentation are encouraged.
Our project involves the biennial 'nomadic' movement of CAMP, its cumulative art collection and 'portable' structure. Every year, CAMP will find a temporary 'home' under the auspices of a 'host museum.' The 'host museums' – located across the globe – will be invited to interact with CAMP's presence and to initiate projects and exhibitions.
|
| Alban Biaussat / Anne-Marie Filaire / Ayreen Anastas / Ayse Erkmen / Beat Streuli / Desiree Palmen / Emily Jacir /
Jananne Al-Ani / Jean-Luc Vilmouth / Jean-Marc Bustamante / Luc Chery / Mario Rizzi / Mona Hatoum / Nicolaj Bendix Skyum Larsen /
Peter Riedlinger / Phil Collins / Raeda Saadeh / Rineke Dijkstra / Rosalind Nashashibi / Samir Srouji / Scarlett Hooft Graafland /
Suzan Hijab / Zeyad Dajani / Zoe Leonard /
|
Zeyad Dajani
Out Of Place
2003
In the mid-1960’s King Hussein of Jordan began building a royal palace in Jerusalem. The structure was conceived as two rectangles, intersecting at right angles, forming a cross along the North-South, East-West axes. Designed as a two-storey building, it was to allow for vast panoramic views from all directions. Strategically located on an elevated hilltop on the road to Ramallah, the palace would give a clear and uninterrupted line of vision across the Dead Sea and Jordan Valley to the Jordanian capital Amman, a sightline that symbolically bridges the two cities, crossing and uniting the landscape in between. Construction on the building stopped when Jordan was defeated in the 1967 war. The palace, the King’s ambition and desire to leave a legacy in Jerusalem, now stands abandoned and unfinished, out of time and place. It is an anomaly, iconically overlooking the city.
Out of Place came about during my residency with Al-Ma’mal in 2003. This was my first visit to Palestine having grown up a Palestinian in Jordan. (Zeyad Dajani)
.
|
|
|
| Back to Homepage |
|
|
| |
Our sincere gratitude to The Ford Foundation for their continuous support and partnership.
All rights reserved © 2007 Al-Ma'mal - Foundation for Contemporary Art | Website design by Alquds Network
|
|